"TRINITY" When i first saw the images made by special fast camera's of the first atomic bomb, i was stunned by there form and the ugly and despicable evil they radiated towards me. It is strange to speak of evil and ugliness when talking about a mere proces that takes its natural course. And yet i have seen other high speed images: of explosions, waterdrops etc. they all seem to have an elegance about them, which is absent in these first few milliseconds/ microseconds, i sense a brutal not compliance from them. But i guess the knowledge and consequences of the explosions later on, merge with these first images. When i heard the codeword for the first atomic bomb was "TRINITY" i was confused. As like in the Christian faith, the bomb was a religious entity? But maybe there is some truth in that. When looking at a sunset or rise, gazing in the night sky observing the milky way, we all tend to feel overwhelmed at times, overcome by emotions, maybe even getting a spiritual revelation. Following that path, one could argue the sun and stars being continuous ongoing nuclear explosions themselves, but still having the power to awe us, even to spiritualise us, are not so far away from the trinity nucleair explosion, which then must have some spiritual properties of its own. So the name TRINITY is not the only part that can spiritualise us, but rather the explosion itself could/can fill us with awe.

THE WORK: The title of the work is TRINITY
?With the subtitle 'Now i am become death destroyer of worlds'? A triptych made of wood, steel, and marquetry wood veneer. As said, it exists out of 3 panels, the outer ones can fold onto the inner one. On the middle panel it shows an image of the millisecond plasma bal thats emerges after the ignition of the atomic explosion bearing the same name. The glow of the explosion is seen on the ground, and spreads out onto the left and right panel ,Remnants of structures can be seen, formed by abstracted lines. Also the tower the explosion originated from is shown in that way. But the only one bright feature on the whole triptych is the plasmatic start of the TRINITY explosion. The formed sphere made up of different lighter and darker segments.

Op on closing the triptych, the backside of the side panels become visible, and shows a text in Sanskrit in a circular form, as if surrounding the sphere, saying: "Now i am become death destroyer of worlds" in Sanskrit Oppenheimer said those words in the 1965 interview he gave about the manhattan project. The words come from the "Indian Bhagavad Gita" ?The Bhagavad Gita - 'The Song of God'- is collection of 700 verses from the great epic Mahabharata, composed millenniums ago by Veda Vyasa, a prehistoric sage of India. It is set in the narrative framework of a dialogue that takes place in the middle of a battle field between prince Arjuna, and his guide and charioteer Lord Krishna. Oppenheimer makes a link between that and his work for the war effort
So now this triptych became sort of a religious object. An object than can be worshiped, it could be part of a religious parade a procession. a combination of science and spirituality lets say: "truth for/or thought" (or like Mike Watson said knowing or questioning paraphrased by me) The universal concept of religion, combined with the knowledge and continuously changing ideas of science. A ceremony in a formal and ceremonious manner. Is it a statement for or agains religion or science, or both ?
The base of the work is formed by using the new mexico infant mortality percentage change rates stick graph for that periode. It shows the sudden rise of infant mortality due to the radiation spike, visualised the steel forms of the stick diagraph. ? ?

 

"HUMAN BOUNDARIES" Singelpark Leiden 2020

The 'watchtower' is surrounded by a fine-mesh fence. The fence has dangerous looking spikes on the top edge. The spines rotate when you push them. Artist Harold de Bree has given them all different human skin colours. He questions the way in which people everywhere in the world try to protect their own ideology, religion or ideas. With this tower, de Bree sketches an illusion of authenticity.

He made an image of a watchtower without it actually being one. Because in this one you can't climb up, which is what a watchtower is made for. It mainly assumes a symbol function. It is also hidden in the iron points. Although they suggest an aggressive view of man, he says something else with them. Namely that boundaries are also a biological fact and that we all determine our own boundaries.
For example, how large the group of friends is that you can count as your nearest and dearest. In essence, that principle does not work any differently than with a herd of animals whose size is adjusted to the amount of food available. The size of our group of intimates is limited on average and will have changed little over the centuries. Also the question arises for whom or what the tower is made, who is it guarding and from what. From the pointy skin toned spikes one could come to the conclusion that we need protection from ourselves, or we need to protect everyone from everyone else.

"Human Boundaries" Harold de Bree often makes imitations of military objects. Military vehicles, bridges or bunkers. Objects that we all know and recognize. However, a small twist puts you on the wrong track. The watchtower in the Singelpark refers to the original ramparts on which the new park was built. The artist found the inspiration for this Leiden watchtower in Berlin, the place with one of the most iconic border areas during the Cold War. The Berlin Wall is etched in our collective memory. The tower in Leiden is a simple version of a former DDR light tower next to the Berlin wall. You could say that De Bree models his objects into archetypes. Recreated in their most recognizable form and stripped of their functionality, the sense of authenticity remains. This is how he gave this light tower its most characteristic elements. A staircase and a hatch to climb in are missing. And yet the threat it poses is no less.

 

steel explosion

Steel Explosion 2022
"Frozen in Time"

Roughly pointed metal corner lines cut with a plasma cutter form an explosion. It also looks somewhat like an umbellifer-like plant. Made of centimeter thick steel. Size can vary, but in this cases roughly: high 180cm diameter +/- 400cm

In this work, I want to achieve a certain layered duality through subject and execution.?In this case, for me, the duality lies in the silence that the work radiates, the standstill of an explosion, as already reflected in the title, combined with the shape of a picaresque plant.

In the present tense, in the now, explosions on various battlefields are a reality. In Europe, Africa, etc. this is in stark contrast whit the silence that this work radiates, the standstill, as already reflected in the title. Just like photos from high-speed cameras that photograph splashing water droplets, displaying a fraction in time. It depicts a motionless reality. A reality that is normally invisible to our eyes. Like the deafening soundlessness of this stationary explosion.

By using a plasma cutter to cut very rough and frayed steel into pointed explosion and fragmentation lines, its tearing explosive power is shown.?I find it alienating that the shape of an explosion can also look a lot like a flower, the way a river meanders, a tree grows, a lightning bolt forms, what your blood vascular system looks like. It seems that from chaos a uniformity arises, based on a physical mathematical principle.

"Shell Burst"
This is an exaple of a free Marquatry work (wood veneer and mother of pearl) on an existing antique table. I made this one for a befriended gallerist.
About 7 years ago I started doing marquetry, i was fascinated by the old fashioned feel it has, the out of styleness.
I use this feeling to get the works some howe out of its time fase. As I used mother of pearl as the outward blasting shrapnel, it got even more 'over the top'.


harold de bree

'View on the land made by the will of the people'
DMZ-project Zuid-Korea 2019
Titel:"View on The Nation made by the will of the people"

 

North Korean skyline silhouettes which are scratched in, on site at the South Korean border, onto electronics printed circuit boards prepared in advance with paint.
The GPS code indicated there was also applied to work via my telephone, with a direction arrow indicating north.
Taken during mining research project in the DMZ (demilitarized zone)
Title of works No. 1/9 
"View on The Nation made by the will of the people"
The title is partly a line from North Korea's national anthem.

 

harold de bree

I was able to make a dazle painting work on the fencing of the Dutch consulate in Istanbul. 
The idea arose from necessity, a short while ago, a man had entered the consulate and had taken down the Dutch flag on the roof and raised the Turkish flag.  All this in response to the visit to Rotterdam of the Turkish minister Fatma Betül Sayan Kaya, who wanted to address the Turkish Dutch there,  but that was prohibited by the Dutch state. The question was whether I could make a 'view-obscuring' work on the bars of the fencing in front of the consulate.  Done as requested. The Dazzle Paint image I had made for this purpose distorted the view of the consulate and gave extra meaning to the tense situation making use of the 'Dazzle Paint camouflage, ont its history'.


harold de bree

title: "Death By Democracy" 2018
Performance action during Manifesta12 in Palermo. Material: costumes, blood splatter effects, sound effects, video manipulation. Two people sit at a table and explain their organization's new project through a PowerPoint.The organization is trying to launch a new idea, but apparently there are individuals who don't want that to happen. A number of strange and disturbing images of murder through 'democracy' appear on the screenAfter an apparent digital attack on their computer, the PowerPoint is taken over by a hacker, and there is nothing left to watch the bumbling of the employees, who are at a loss.Then a red laser dot appears on the speaker's tunic, a shot is fired, and blood splatters around. After panic, the injured employee is carried out of sight.An apparently very bad and dangerous idea that immediately got out of hand.The script of yet another Hollywood blockbuster/B-movie, or an attack on the'New World Order' or is that another conspiracy theory...'


harold de bree


 

 

"Vantage Point"
A position or place that allows you a favourable overall view of a scene or situation.
The work resembles a watchtower. The purpose of a watchtower can vary, birdwatch,
nature watch, fire hazard controle. and of course military. On both sides of the DMZ loads
of watchtowers were erected, also along the coastline the watchtowers can be seen. As
the bulk of my body of work has dealings with military issue's, or is based on it, it goes
without saying that the appearance of this particularly tower will be military.

But the inside 
of the watchtower houses something else entirely.A fully working sauna is installed in the tower including a sauna heather which will be
fuelled by wood or charcoal. Wooden benches line the walls and the narrow lookout slitwill give a full view over the frosty sea
From this vantage point the people inside can contemplate about the environmental dangers, military threads, the destruction of the planet by our own actions etc. etc. one is
isolated from the rest of the world, and overseeing the world from this hot alienating spot,might trigger the brain and come up with new solutions for these problems.

While at night waiting for the sun to rise out of the cold dark sea, the red glow from the
hot burning sauna heater softly reveals the interieur of the sauna
To escape the sometimes overwhelming heat flow of the loyly (steam, vapour)it is possible
to go out on the small balcony that encircles the watchtower, or when hot or daring
enough descent down the stairs and dip into the freezing cold sea. 

 

 


harold de bree

"The cloud of the knowledge of good and evil" 
Marquetry work made with veneer.The Panel shows two skeletons apparently representing Adam and Eve, instead of being in the garden of paradise surrounded by trees, plants and animals, the panel shows in the background the iconic mushroom-shaped atomic explosion cloud that will form the Tree of the Knowledge of Good and evil depicted. With the apple in Adam's hand replaced by the planet Jupiter. Jupiter is also the supreme god and god of the sky and thunder.

Is this the fall of humanity, the development of knowledge and technology, only capable of total self-destruction.
There was never a way back to paradise, but just as the animals and plants in Chernobyl thrive and flourish in the absence of humanity, perhaps a disaster is needed to get parts of paradise back?


'DISRUPTIVELY MISLEAD'
A work which uses WW1 Dazzle camouflage patterns, on a train carriage at the Haydarpasa Terminal ( Gar skKadikoy, Istanbul),to make the viewer aware of the limitations of their visual abilities.Continuing this path of thought one only wonders what other fields of the mind can be tricked and are prone to deception.

In fact the reality around us is never fully visualised by our brain. And our mind wonder back and forth in made up pasts and imagined futures, and almost never find themselves in the 'presumably' continuingly onward going now. Returning to 'DISRUPTIVELY MISLEAD', what else may lurk between its disruptive lines?

 

"TRON Recognizer"
From the Exhibition Happy Like Yesterday" NEST 2016 
 You can see the pop-cultural appropriation of nostalgia in Harold de Bree's sculptural Recognizer. Recently there has been plenty of room for the eighties again in cinema and on TV (and in the Van Abbemuseum and Metropolis M). See, for example, the success of the supernatural TV series Stranger Things, which uses an agglomerate of beloved eighties styles and clichés. 

De Bree's floating object also has a link with the science fiction of that decade. Without that prior knowledge you could almost see the form as classicistic. A kind of facade of a temple, but a bit sleeker in red and black. The object is a recognizer and an evil virtual entity from the 1982 film Tron. A sci-fi film produced by the Walt Disney studio that is said to be known for its then revolutionary use of computer animation. A flop at the time, but gradually became a cult hit that even received the sequel treatment in 2010. There is a loop in the work between nostalgia and the future. A futuristic film that is already thirty years old and that is looked back on with nostalgia. Yesterday's future was more tempting than today's future. The illusion of digital reality, visualized in the analog world.material: wood, aluminum composite, paint. 4x4,5x1 meters

 

"GERONIMO"
Marquetry veneer inlay in the form of a commemorative plaque 45x60 cm title "Geronimo" 
The name Geronimo is written in the Arabic alphabet above the "Skull and Bone" sign."Geronimo" was the code word that would be used once bin Laden was found dead or alive.It is also the name of the famous American Indian Apache freedom fighter.
According to the American Archeological Society, Skull and Bones possesses the skull of Apache Indian Geronimo. Skull and Bones, the oldest secret society of Yale University students. Prescott Bush is said to have removed Geronimo's skull from his grave. Is it now time for the next legend?Has Osama's skull now also been added to the Skull and Bones collection together with stolen skulls of Martin van Buren and Pancho Villa? 

On display at Castrum Peregrini during the exhibition 'Read My Lips' curated by Paco Barragan, and also in the former Soestdijk Palace.

https://en.wikipedia.org/wiki/Skull_and_Bones. 

http://www.nytimes.com/2009/02/20/us/20geronimo.html?_r=0

from harold de bree on Vimeo.

Machines of Loving Grace,
a collaboration with Mike Watson, video and editing Antti Tenetz

 



'The Movable monument' at Charlie Smth gallery London for 'The Great War' show.
Harold wanted the work to feel like a monumental border marker and bear resemblance to one of those thousands of WWI monuments scattered all over Europe.
By way of wheels, underneath the structure, it is possible to move the 'monument' about.The movability of this object mocks with the values and virtues given to these normally so stable and stand fast objects.To be able to move it about, to alter the geographical position of monuments and borderlines, in time and place changes the meaning of these.
Not only the meaning, who, what, when it was made for changes,
but for national borderlines the change would be even more profound, the meaning of borders and what they supposingly stand for is in jeopardy, the hard borderline will become soft, countries may overflow into each other, laws may apply, or not this instant, but again later.
The border shifts like an unstable frontline,
having monuments for victors who become defeated by the shift of borders along time and place.
(The unification of Europe no defeat no victory.
The enemy is not the neighbouring states anymore.
It seems now big corporations use the borders to gain profit, a legal way of moving contraband, trafficking, smuggling by tax ovation on a gigantic scale.)
(Zavier Ellis)ß


"Ruined Bayley Bridge"
Photo Astrid HulsmanThe Hague artist Harold de Bree set fire to his Bailey bridge on the pond in front of the former Gemeentemuseum Den Haag on September 14, 2013 as a performance. A fire broke out at the bottom of the bridge and the work collapsed with a great crash. With this, the artist has created a new image, a sculpture with an emotional or even frightening appearance. There is a spirit-exorcising force emanating from the artist who destroys his own work, like a contemporary iconoclast. 

5

'Ruined Bailey Bridge' At Then the Gemeente museum in The Hague, now Kunst Museum.

"Ruined Bailey Bridge"
De Bree's reconstructed Bailey Bridge, installed at the Gemeentemuseum Den Haag, 2013, points to the ever present folly of military conflict. The bridge, which is a copy of those used by US and UK forces across Europe was installed across a pond in the exhibition grounds, before being burnt at night and subsequently collapsing into the waters of the museum grounds. The piece, entitled Ruined Bailey Bridge could no longer be used for its original purpose (i.e. to cross the water) by its audience. Whilst this surely came across as a mere visual gag for many viewers, closer inspection would have revealed both its implicit critique of warfare, and the way in which the huge US and UK influence that has shaped Europe ever since World War Two is under threat. 

 

harold de bree

Harold de Bree Joan's Carvery Performance
(for Joan of Art project curated by Mike Watson / curator in residence)

With Fondazione Gervasuti - who host the Maldives Pavilion - at the Venice Biennale.

 



The The Fieseler Fi 103/FZG-76 (Vergeltungswaffe-1, V-1)

 



Maldives Pavillion, 55 bienal venice, 'SOS Sauna Boat', contemplating on and the prevention of
the sinking of the Maldives by the rising sea level.

 

harold de bree

Performance site at Aral Sea, Morse coding the beginning of "The old man and the sea" by Hemingway.
Check the Performance

 

harold de bree

Installation at Platform57 "Equestrian statue KING WILLEM II"
I made the work "Equestrian Statue of Willem II" for platform57. It is a copy of the base of the equestrian statue of Willem II, which stands next to the Hofvijver and the Binnenhof The Dutch Houses Of Parlement in The Hague.But where has the statue itself gone? An angry mob tore it down? As has happened to many statues of fallen leaders, from Gaddafi to Lenin. What is the current state of our society? What can be expected in the Netherlands after the elections?


ß

Installation at U.H.M. Steel 'Construction no.1' 2012

 

harold de bree

'Entrance B4' Installation in the streets of Amsterdam Zuid during ArtZuid. 2009

 

harold de bree

'M1 SS11 Bailey Bidge' Made for Manifesta7 Bolzano 2008

 

'The Collection'
Installation during the FUTURE OR RUIN exhibition at CHARLIE SMITH LONDON 2009

harold de bree

'TYP XVII'
made in the pond in front of The Gemeente museum The Hague 2005

 

Harold de Bree art